Bon
Appetit
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ON
THE WATERFRONT
in Le Guilvinec, a wooden trawler emerged from the mist and nosed
up to the wharf. When the engines stopped, the crew started hoisting
crates of pearly pink langoustines from the hold, tossing them chain-gang
style to dockers, who loaded them into refrigerated trucks for dispatch
to Paris, London, Berlin, even New York and San Francisco. The precious,
wriggling catch, coveted by the best chefs everywhere, have made this
small port in Brittany, France’s western-most province, busy and prosperous.
It was also what had lured me here to the water’s edge.
I’d previously
encountered these succulent crustaceans only under silver domes in
pricey restaurants. It was invigorating to be standing on a dock watching
the real life of a working port with the smell of salt in my nostrils. "Vous
achetez?" asked
a stout man with a mustache, nodding at the langoustines, known as
Dublin Bay prawns in the U.S. and considered to be the best shellfish
in France. ‘Are you buying?" No, I explained, I wasn’t here to buy
them but to eat them. "Well, they’re worth having traveled
so far," he said, recognizing my American accent. "That’s
the place for you then, across the street." I asked
if he also ate in the dining room at the Hotel du Port. "Not
me; after beingout to sea all morning, all I want is a steak,"
he laughed and clapped me on the back. ‘Allez; fassez votre travaille!
On your way. You’ve got
work to do! You put me to a lot of trouble to find your lunch." After a fantastic dinner the night before,
I hadn’t planned on lunch, but I obeyed the skipper’s orders. Good
thing, too, since I was served a tire-size tray of some two dozen
of the fattest, finest lan goustines I’d ever eaten, steamed, arranged
on crushed ice and accompanied by a bowl of freshly made mayonnaise—all
for the same price that six shrimp would have run in Paris. The homey
dining room wasn’t much to look at, but packed with contented locals,
the place had a contagious aura of well-being that summed up why I’ve
always thought of Brittany as the perfect France. Quite simply, this
region’s Celtic warmth and joviality strip the thorns from Gallic
styl ishness and tradition. I had spent the better part of the morning wandering through fields near Pointe de Penmarch in search of Brittany’s oldest calvary at Notre-Dame-de-Tronoën. Here, in the church yard next to a tiny chapel on the edge of the sand dunes, episodes of the passion of Christ sculpted in granite had taught the lessons of the church to a pre-literate age. The biblical stories seemed especially poignant as I studied those lichen-covered faces and listened to the crashing of waves nearby. If the personality of Brittany is defined by the Atlantic Ocean, its soul is found among the stone monuments in its churchyards. And if the region’s gastronomic reputation is soaring, the work of its superb chefs is best balanced by wonderfully simple meals like my lunch. |

| I’d first fallen under Brittany’s spell
on an August night in Connecticut 25 years ago. I was reading Colette’s
Ripening Seed, a coming-of-age story set on the Breton coast. Growing
up in New England, I knew a variety of Atlantic coastal settings, but
this book invested them with sensual possibilities that somehow eluded
me while I was skipping stones on Long Island Sound. When I finally got to Brittany,
it turned out that the real place was better than the one I’d imagined.
Sensual? Yes, Brittany piqued all the senses, but with Celtic vigor
rather than Mediterranean Ianguor and it was also mysterious, friendly
and beautiful. On that first visit ten years ago, I was awed by the
menhirs, or prehistoric stones, arranged in careful rows for unknown
reasons in Carnac, and I was charmed by tiny Locronan, a perfectly preserved
stone village that grew rich making sailcloth in the seventeenth century. I soon discovered that
I wasn’t alone in having succumbed to the region’s allure. I heard English
accents, saw Dutch and German license plates and met an Italian family
at an oyster bar. What has completely changed within the past few years,
though, is that the province has become the destination of choice for
the French themselves. "The future is the
Atlantic," said Michelin two-star chef Jacques Thorel. "Even
during the summer, you can always find an empty beach in Brittany."
Located in the pretty port of La Roche-Bernard on the Vilaine River,
Thorel’s hotel and restaurant, Auberge Bretonne, is the ideal place
to begin a cook’s tour of Bnttany, since no less an authority than retired
three-star chef Joel Robuchon has said of Thorel, "This man can
really cook." Picking up a car in Rennes,
the capital of Brittany only two hours from Paris by train, I headed
south to La Roche-Bernard, the first stop of a weeklong south-to-north
trip through the province. Brittany is a great place to come and wool-gather;
and the trip I made left me with plenty of time to walk on the beach
and linger at lunch while also taking in many of the most famous sights. "We eat much better
today in Brittany than we did when I was a boy," Thorel
told me before lunch. "The Bretons have more money and more confidence,
and they’ve created a new relationship with their local products. In
the past, the best of everything was always sold outside of the province." Thorel celebrated his thirtieth
year in the kitchen last July, having started as an apprentice at the
age of 14. Aside from a stint with Robuchon at Jamin in Paris for a
few months, he has never strayed from the region. Plainspoken and modest,
Thorel left me unprepared for remarkable dishes like roasted langoustines
with fresh almonds and girolle mushrooms on a bed of roasted
apricots and spinach; and lobster roasted on a bed of lime leaves. After an assortment of wonderful desserts, including rhubarb with rum-marinated raisins, and egg custard ice cream sprinkled with cracked coffee beans, I tried some of Thorel’s California pear eau-de-vie made by St. George Spirits. I probably could have tippled by the fire with him well into the afternoon, but thanks to his wife, Solange, I found myself aboard a tiny ferryboat headed for the Ile aux Moines. "The Golfe du Morbihan is one of the most beautiful places in the world," she said. "You must see it, and some exercise will do you good." |
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| The Golfe du Morbihan is a bright blue
inland sea brimming with tiny green islands. Arriving on the lie aux Moines,
the largest island in the gulf, I decided to walk instead of renting a
bike. What’s special is the utter luxuriance of the place, which is like
a floating garden with curiously mixed vegetation—palm trees, fuchsia
bushes, pines, honeysuckle, camellias and fig trees. Walking past stone
houses where the hollyhocks grew higher than the eaves, I thought that
if someone were to concoct an eau de Bretagne, it would
have to smell of fig leaves and seawater. Back on the mainland, just
up the road from La Roche-Bernard, is Château de Locguénolé, one of
my favorite Breton hotels. Located outside the town of Hennebont, the
château has been in the family of owner Bruno de Ia Sablière for generations,
and that is what helps create its charm. In the evening, a chic but
friendly crowd gathers on the terrace for drinks before heading to the
dining room downstairs, where young chef Philippe Peudenier does light
modem dishes. His rack of lamb with baby vegetables and a basil-bright
pistou sauce, and a roasted white peach in black currant sauce
show how refined Breton cooking has become. "What changed Brittany
was the coming of the railroads in the nineteenth century;" de
la Sablière told me. "They ended the isolation of the area. Even
if Brittany had officially been a part of France since 1532, its regional
identity was stronger than its national one." Along with its spectacular
scenery and remarkable light, this is why the newly accessible province
came to hold such a powerful fascination for artists. In search of a
world unspoiled by industrialization, in 1886 the painter Paul Gauguin
settled in Pont-Aven, a village built along the banks of the Aven River.
Before leaving for Tahiti, he did many vivid canvases of Breton life.
The fame of the Pont-Aven school of painters, founded by Gauguin, drew
many other artists to the area. The town’s other claim
to fame is gastronomic. The butter cookies known as Pont-Aven galettes
are made at the Traou Mad bakery here. Packed in tins decorated with
Gauguin paintings, they make great gifts. The village also has two excellent
restaurants. The Moulin de Rosmadec does a renowned grilled lobster
doused with fresh cream and has a delightful setting in an old mill
on the banks of the Aven. But if you’re going to
have only one meal in the area, head out of town for La Taupinière,
a charming thatched farmhouse where chef Guy Guilloux works in an open
kitchen. I had just settled in for lunch when the couple at the neighboring
table invited me to join them. Docteur Loyer and his wife,
Michele, were both retired and now lived in Nice, but they came north
every year to spend the warmer months in the house where Madame Loyer
had grown up. Both of them spoke the Breton language, as did their daughter,
but they worried that their grandchildren wouldn’t. "It would be a tragedy
if it died out, since the language contains so much history, and it
has survived against such odds," Madame Loyer said. "At school
when I was a girl, we were punished if we spoke anything but French." We ate a superb lunch—buckwheat
rolls, fresh mackerel terrine, smoked ham with white beans and pommes
paillison (crispy cakes of finely grated potatoes) and a dessert
of roasted strawberries in caramel sauce with pistachio ice cream. I shared a table the next
day, too, this time in the pottery town of Quimper. A local woman, her
granddaughter and I were sitting outdoors at a café, watching the crowds
and having the same snack— crepes spread with salty Breton butter and
sprinkled with brown sugar. Having just visited two of Brittany’s best
museums— the Musée des Beaux-Arts, with its collection by Pont-Aven
artists, and the Musée Départemental Breton, devoted to regional history,
including a fine display of Quimper faience—l was glad to get some air. The woman told me that
a meal at La Ferme du Letty was a must. This restaurant, housed in an
old stone farmhouse, was started in 1969 by Jean-Paul Guilbaut, formerly
the head barman at the Crillon hotel in Paris. With Jean-Paul and his
wife turning out omelets, salads and crepes, the business thrived for
years. Eventually their only son, Jean-Marie, decided to become a cook. And what a cook he has
become. Guilbaut marinates scallops in oil that has been perfumed with
crist-niarine, a type of seaweed that imparts a citrusy tang.
He has also designed his own lobster rotisserie, which produces the
most tender lobster I’ve ever had. "The idea of this dish is very
simple," Guilbaut said. "The lobster cooks in its own juices."
With his mother and his wife running the beamed dining room, Guilbaut
is free to perfect his brilliant culinary style. |

| One of the best days during any trip
is the one when you’ve planned nothing, and the Hotel de la Plage in Ste.-Anne-la-Palud
is just the place to drop anchor. In fact, there are only two reasons
to be tempted away from this friendly beachside hotel: a drive around
the beautiful Crozon peninsula, 20 minutes away, and a meal at Auberge
des Glaziks in the town of Plomodièrn. The homey dining room is the setting
for the most interesting young chef in Brittany, Olivier Bellin. Two of
his finest dishes are cream of lettuce soup served with a fian of baby
onions, and lobster with buckwheat gnocchi. Finding such extraordinary
food in such a tiny village underlines another trend. For years Brittany
was exporting not only its produce, but also its chefs. Now many of
them are returning after training elsewhere, Bellin went to hotel school
in Quimper at the age of 14, then apprenticed and eventually worked
with Robuchon for two years. After a stint with Jacques Thorel, he came
home. "Brittany has such superb produce, and I think this is the
most beautiful part of France," he explained. Beautiful, indeed. Extending
north from Plomodièm, the austere moors and still lakes of the Montagnes
Noires recall the Scottish Highlands and make the resort town of Locquirec
seem especially luxuriant to visitors. Sheltered by chestnut trees and
cypresses in a little seaside park, my hotel, the Grand Hotel des Bains,
has become popular with vacationing Parisians. There just might be no
prettier place in Brittany to bury your nose in a fat paperback than
in a chair under the grove of lime trees here. East of town, in the direction
of St.-Malo and Cancale, there is arguably Brittany’s most dramatic
scenery, known as the Côte de Granit Rose, or "pink granite coast."
If the southern coast of Brittany is lacy with inlets, bays and estuaries,
like the Chesapeake Bay, the northern coast has the natural grandeur
of California’s Big Sur, Carmel and Monterey. Waves explode in deep
crevices along cliffside walks, and the pink-and-black striated stone
is carved into fantastic shapes by the wind and the water. The wildness of the granite
coast eventually gives way to the Côte d’Emeraude, which is named for
the blue-green color of the sea as it finds its way into still bays
and coves. Farther along, the Cap Fréhel offers superb views around
every corner, while the nearby Fort Ta Latte is the most attractive
of Brittany’s many coastal castles. Standing on the ramparts on a clear
day, you can see the citadel town of St.-MaIo looming across the bay. One of the most famous
of all French ports, St.-Malo was almost completely destroyed by bombing
in 1944, but so scrupulously rebuilt that you wouldn’t know unless you
were told. The best way to get a sense of this boisterous little city
is to stroll along its ramparts early in the morning or at sunset. More relaxed than St.-Malo,
tiny Cancale, perched on the edge of the tidal bay of Mont-St.-Michel,
is a name that chimes pleasurably among French gourmands, since it
has the double distinctions of producing excellent mussels and oysters
and being the location of Olivier Roellinger’s eponymous restaurant.
Perhaps more than any other chef in Brittany, this soft-spoken man has
raised local awareness of the region’s cooking traditions. Roellinger’s style is aptly
shown in his version of cot riade, a Breton soup of fish and
potatoes seasoned with onions, cider vinegar and cloves. Unique, precise
and richly imagined, dishes like this make local history wonderfully
edible. Sipping hard cider one
afternoon at Richeux, his hotel, Roellinger explained his thoughts on
Breton cuisine: "Until the eighteenth century, the Bretons lived
on oats, buckwheat, lard and bacon, with a few vegetables. Then cocoa,
coffee, potatoes and tomatoes came, and changed the kitchen. The ancient
Celtic belief that hell and the devil were found in the sea meant that
almost no one ate fish. This changed when tourists started coming and
asking for seafood. I think we’re living in a similar period of culinary
revolution. Now we can eat anything we want in any season, so fresh
local food, simply prepared, has become the greatest luxury. We don’t
want to become like everyone else, but we have to avoid falling into
the trap of nostalgia. So we must innovate but also defend the traditions
of Breton cooking and the quality of Breton produce, or the region will
lose part of its identity." As I lunched on Cancale
oysters and smoked lobster on the shady terrace of Richeux, with the
bay of Mont-S t.-Michel before me, it seemed safe to conclude that the
integrity of Brittany will withstand the tides for a long time to come,
and that for me, anyway, Brittany is a passion that will last a lifetime.. |